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Song of the Week: Megan Thee Stallion’s “Hiss” Spits Venom at Nicki, Drake, and All Her Doubters

Her second snake themed single since November

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Song of the Week: Megan Thee Stallion’s “Hiss” Spits Venom at Nicki, Drake, and All Her Doubters
Megan Thee Stallion, photo by Jen Vesp

    Song of the Week is Consequence‘s weekly series that highlights the latest and greatest new tunes. Find these new favorites and more on our Spotify Top Songs playlist, and for other great songs from emerging artists, check out our Spotify New Sounds playlist. This week, Megan Thee Stallion has a lot to get off her chest on “Hiss.”


    For the past several years, Megan Thee Stallion has been at the center of negative attention after a 2020 incident in which rapper Tory Lanez was found guilty of shooting her in the foot. With her new single, “Hiss,” Megan fires back with venomous lyrics going after the biggest names who called her a liar.

    The most scathing lines take a thinly veiled jab at Nicki Minaj, whose 2023 song “Red Ruby Da Sleeze” features the lyric, “That .40 cal a make ’em dance like a go-go,” in a not too subtle reference to the Tory Lanez shooting. On “Hiss,” Megan appears to reference Nicki’s husband, registered sex offender Kenneth Petty, when she raps, “These hoes don’t be mad at Megan, these hoes mad at Megan’s Law.”

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    Next up on her list is Drake, who alluded to “a stallion” lying about “getting shots” on 2022’s “Circo Loco.” Besides responding to Drake’s double entendre about gunshots and butt injections by alluding to rumors he got an ab sculpting procedure himself (“These n****s hate on BBLs and be walkin’ ’round with the same scars”), Megan comes after “cosplay gangsters” with “fake-ass accents.” Given Drake’s penchant for adapting a new accent every few months and self-proclaimed mob ties, the shoe fits.

    The H-Town Hottie also takes a moment to seemingly address her ex, Pardison Fontaine (“He can’t move on, can’t let it go”), but “Hiss” isn’t all disses.

    There’s a moment of triumph when Megan calls herself “the Teflon Don in the courtroom.” Much like Mafia boss John Gotti, she’s emerged mostly unscathed from the scrutiny of the Tory Lanez shooting trial and a vicious legal battle with her former label 1501 Certified Entertainment.

    Now that Megan has moved past the Tory Lanez trial and formed her own label, Hot Girl Productions, she’s finally free from the weight of the past few years. Based on “Hiss,” Megan’s pen is sharper than ever, which is good news for everyone who’s been rooting for her and bad news for those foolish enough to stand in her way.

    — Eddie Fu
    News Editor


    Honorable Mentions

    Cakes da Killa — “Mind Reader” Feat. STOUT

    To accompany the announcement of his upcoming album Black Sheep, Cakes da Killa has dropped “Mind Reader,” a hip-hop banger that reaches absurd levels of danceability. With a beat straight out of the ’90s club scene, Cakes da Killa spits like it’s a race, keeping the energy and speed as high as the music will allow. STOUT’s sung hook comes in as the icing on the cake… the icing on the Cakes da Killa, rather (we like to have fun here). — Jonah Krueger

    Chastity Belt — “I-90”

    The highway I-90 is the longest interstate in the country, and “I-90,” the jangly new Chastity Belt single, captures how it feels to be young and cruising along a seemingly never-ending road. “This feels like flying,” the band’s Lydia Lund murmurs, reminiscing on a bike ride before arriving at a stark contrasting remark: “You said, ‘I feel like dying.'” She delivers the line coolly, like it’s only natural for those extreme opposing feelings to occur within mere moments of each other. Life might feel like one extremely long freeway, and that’s just as daunting as it is exciting. — Abby Jones

    Courtney Bell — “Westside” feat. Royce Da 5’9

    “I’m what you get when Illmatic collab with Chronic and Snoop,” Courtney Bell spits in his new song with Royce Da 5’9, “Westside.” The slick, boastful claim opens Bell’s rapid-fire verse in the song’s second half, and he doesn’t lose any energy from there. The track and its corresponding video revolve around a concept inspired by The Matrix, complete with trippy black-and-green visuals and a suspended sense of time and space. Oh, and Royce’s verse is immaculate: “I’ll take all of my George Washington dollars/ Bury them in my backyard to save my George Washington Carvers” is just one of several highlights. — Paolo Ragusa

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    Drahla — “Default Parody”

    You know what rocks? Quality, artsy post-punk. You know what rocks even harder? Quality, artsy post-punk with prominent saxophone — and, oh boy, does Drahla’s “Default Parody” deliver. The lead single to their newly announced LP angeltape grooves away as vocalist Luciel Brown provides snarky, near-spoken verses. Eventually, the track gives way to the all-mighty squeal of the saxophone, finally bringing the controlled chaos of the song to a close. — J. Krueger

    Emily Yacina — “Trick of the Light”

    Indie pop singer-songwriter Emily Yacina said that, while writing her new single “Trick of the Light,” she kept thinking of the word “imaginationship” — “the inner world, and how it can sometimes be disrupted by another person.” The Rostam-produced track is Yacina at her most sonically complex, layering tons of dreamy elements until the result is something transcendent. — A. Jones

    Emotional Oranges & Nonso Amadi — “In My Head”

    Music from duo Emotional Oranges tends to be shockingly smooth; with Blended, their collaborative new EP release, they’ve recruited Nigerian singer-songwriter Nonso Amadi to the equation, and the results are excellent. All four tracks on the project are worth a listen, but this crew wisely chose to lead with “In My Head,” a sizzling, moody mid-tempo cut co-produced by Amadi. Emotional Oranges tend to excel at tracks that dabble in themes of yearning, and Amadi’s vocals tie the whole thing together. — Mary Siroky

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